The record's lead single "Little Bit of Everything", written by Brad and Brett Warren (each of The Warren Brothers) together with Kevin Rudolf, premiered on 14 May 2013. in September 2013. "Shame" premiered keith urban tour 2016 as the next single in Australia and New Zealand only in August 2013. The third international solitary, "Cop Car" was launched in January 2014. The fourth worldwide single, "Somewhere in My Auto", was launched on 23 June 2014. This single also reached number one on Region Airplay late that year. The fifth worldwide single, "Raise 'Em Up" was launched on 26 January 2015.
Blend garnered generally favorable reception from audio experts to review the record. At Metacritic, they assign a weighted average score in relation to selected mainstream experts evaluations and ratings, which in relation to four reviews, the record has a Metascore of a 74. At Region Weekly, Bob Paxman mentioned that the release "net[es] keith urban tickets
's normal mixture of pop and country with some R&B touches and even some New Age-y sounds." He commended all of the sounds and thought the vocals were more notable than on City's preceding records. Will Hermes of Going Stone highlighted that "What is astonishing, though, is how unforced and interesting the record seems", and this was because "Sometimes, leaving your area is the best method to get." At Allmusic, Thom Jurek wrote that "For all of the piece-meal saving, technical fixation and sheer ambition to the Fuse, City succeeds to fashion it all in to a (mostly) working entire and maintain his identity as a modern country artist, even as he reaches for the mainstram pop fences."
Jerry Shirver of america To-Day indicated that "Deleting common material may have made the stone take mo-Re, but that's small since there are a lot of keepers". At The Oakland Press, Gary Graff told that "'Fuse' does lean a tad heavy on sam-e-sounding arrangements (gentle verses swelling into bombastic choruses) however, the tunes are persistently strong, and City's performances on both guitar and vocals - including duets with Miranda Lambert ("We Were Us") and Eric Church ("Raise 'Em Up") - definitely help the fresh sonic approaches drop easy." Glenn Gamboa of Newsday found that the album was "filled up with plenty of pleasant surprises. The biggest one, , however, is the way high City raised his aspirations and then delivered impressively to them." At Edmonton Log, Amanda Ash said the re lease was "a thrill that's for certain, though the bathetic good and the bad may be hard on people that have put-sensitive guts."
In The New York Times, Jon Caramanica wrote a mixed evaluation, and evoked that "the language will work hard here, and the music is, also, but Mr. Urban is sliding through, hardly quaking whatsoever." Melinda Newman at HitFix established that while City "plays beyond state's confines on a few tracks, many melodies hew closely from what the faithful have begun to adore: mid-tempo melodies moored by banjo or guitar and Urbans immediately recognizable words." Bobby Peacock of Roughstock commended the variety of production and songwriting, saying of the latter keith urban tour schedule 2016 that some of the songs "have different particulars and/or text than his usual tunes." Moreover, he authored that "Most Of the developments are just right, matching into his trademark seem while providing some thing new and innovative at every flip." Every sing song chorus, every wailing guitar so-Lo and every heartland lyric sounds s O written by committee that its extremely difficult to tell one radio-friendly track in the additional."